Predator Press Interviews: Mark A. Rayner
Predator Press
[LOBO]
My devious plot to kill all the good authors so I can get a book deal has suffered a temporary setback: Mark A. Rayner, author of Marvellous Hairy, has been anything but forthright in regards to his actual location.
-Mislead by some rather sophisticated and formidable call-tracing countermeasures, I'm forced to conduct this interview from a payphone in Wyoming.
And let me tell you pal, getting into a phone booth in a ghillie suit made of almond tree branches is no picnic.
LOBO: Mark, you've obviously chosen to try and make monkeys, you know, cool again -like back when "BJ and the Bear" inspired millions and millions of truckers to take them cross-country. But iguanas are cool, and kinda scary too. A book about superintelligent iguanas would be groundbreaking, and a rare victory for cold-blooded animals. Why monkeys? An iguana is an infinitely more practical pet for truckers if you think about it.
MAR: Actually, Marvellous Hairy is about a surrealistic novelist being turned into a monkey-like creature; they regress just some of his DNA back along the evolutionary tree to the point before we split from the chimps; but if you must know the truth, it's because I think we don't keep in touch with our monkey playfulness enough. (Present company excluded. I mean, obviously, with the ghillie suit and all. You know you can get those in Gor-Tex now, with collapsible almond branches?)
LOBO: Don't correct me on my own blog, Mark. What was that fancy thing you just did there?
MAR: What?
LOBO: That thing where you are using the "(" and the ")".
MAR: They are called parentheses. You -of all people- should probably learn how to use them.
LOBO: You think I don't know about parentheses? I once killed a man using parentheses.
MAR: Really?
LOBO: Absolutely. I hated that guy. Watch. "I want the garbage taken out (and everybody dead in five minutes)."
MAR: In five minutes? What did they do?
LOBO: They didn't know about your book!
MAR: Oh, well that's okay then.
LOBO: Is it that you're an atheist Mark? Hm? I mean you could have changed the guy into a praying mantis instead of a monkey. Is it a problem that the mantis thing is always praying? A praying mantis won't rip off your genitalia and throw it at you. I mean you just don't GET more pious than a praying mantis.
MAR: What about Capuchin Monkeys? Eh? They're named after monks. Or the sanctimonious Kneeling Baboons of Rogistan? (Not that I like them very much. Did you know I was once bitten by a radioactive baboon? It's how I got my super-powers.)
LOBO: See, there you go with the parent-things again.
MAR: Parentheses?
LOBO: Forget it. Was the Shute character in Marvellous Hairy based on David Letterman?
MAR: Largely, though I wouldn't want anyone to think that Denny the Lickspittle is based on Paul Shaeffer. No way. I would never disrespect the coolest man on TV. Paul is Canadian, did you know that? Oh, that's right, you don't believe in Canada.
Marvellous Hairy Excerpts
LOBO: Don't get me started on those old hokey legends of Canada. Do you think Canada exists?
MAR: Yes.
LOBO: But you're a teacher! Isn't that, well, kinda irresponsible?
MAR: Let' get back to the books.
LOBO: [exasperated sigh] One of my favorite elements of your writing is the meat of the stories hangs on a skeleton of philosophical poignence. Not to oversimplify, The Amadeus Net had the omnipotent and omniscient computer managing an idyllic utopia, and Marvellous Hairy had the specter of corporate power and greed gone to extreme. A common thread -humans struggling to morally catch up to their own rampant technological achievements- can often be spotted in your shorter works as published on The Skwib as well. Is this formulaic, or a happy byproduct of your writing style?
MAR: I wish I had a formula -- it would be so much easier. But to think that I struggle with each story, agonize over every character, groin myself every day to get the themes to flow with the plot and have it appear as formulaic . . . well, that just makes me want to slit my wrists. So, let's go with 'happy' byproduct.
LOBO: Having read both The Amadeus Net and Marvellous Hairy, they both have a vastly different "feel" from one another: The Amadeus Net seemed darkly serious while Marvellous Hairy seemed more playful. The fun you were having writing Marvellous Hairy was palpable. Would that be an accurate characterization? And if so, were there events between 2005 and 2008 that contributed to this shift?
MAR: Yes. That's quite accurate. Interestingly, you have to push the clock back about nine years for The Amadeus Net and seven years for Marvellous Hairy. I was primarily writing The Amadeus Net when I was an underemployed corporate drone in 1997, living in a small, yet charmingly feculent apartment, and working from notes that I had painted with a child's watercolour set the year I was being a Bohemian Gen-xer in Prague (1993). The first draft of Marvellous Hairy was written in three days in 2001, and was fueled almost entirely by scotch and raw existential anguish, and so, is hilarious.
Marvellous Hairy Podcasts
LOBO: The Amadeus Net juxtaposes a sexually-taut cast of characters in a clinical, computerized world. Cripes ... everybody is sleeping with everybody! Can you just leave out the computers next time? The computers create too much space between the sex scenes.
MAR: In my next book, the computers get in on it too.
LOBO: Have you repented to your clergy for all the sex in The Amadeus Net yet? I tried to get my penance reduced by ratting you out about it, but the church was skeptical: rather than take my word for it, they ordered a case of the books to be distributed among the congregation for review. Now they are all blind, and their palms smell like Gillette. All of this could have been avoided with the simple use of a praying mantis. Are you an atheist Mark?
MAR: If you mean, do I believe in a "Magic Sky Father", then yes. If you mean, do you believe in a "Cosmic Unconscious Fun Monkey," then the answer is: maybe.
LOBO: Yeah, well, I'll try to put in a good word for you with Jesus. But I've got a feelin I know where He stands on the whole "Cosmic Unconscious Fun Monkey" thing.
MAR: Thanks.
LOBO: Why do my favorite characters always get killed in your stories? Are you doing that on purpose? And how do you know who my favorite characters are in the first place? Are you clairvoyant?
MAR: Yes. And by the way, don't get to attached to Suzie in my next book. Really, just save yourself the heartache. Oh, and you might want to get that mole checked.
LOBO: Thag is among my favorite of your characters. Was Thag based on someone or something in particular? And because I like him, how soon will you be killing him if you haven't already?
MAR: Thag is loosely based on the Gary Larson cartoon. Since then, he has become the proto-typical everyman. But he will not be taking the Big Dirt Nap anytime soon. Or will he? We will see how sales of Marvellous Hairy spike after this interview goes live to decide . . .
LOBO: While far from a professional author, I'll get something under my skin and scrawl it on the grocery receipt on my way home -more or less helpless against the urge. This annoys the other drivers, and their excessive use of the horn and graphic profanity makes it hard to concentrate. How does a Mark A. Rayner pour stories? Do you have a formal method -for example, a set time and space for writing?
MAR: I have a word count that I aim for every day. I usually miss it. This makes me feel bad. However, even if I am tortured by my under-achieving slacker Gen-X attitude towards work, the words eventually add up to something and then there is a manuscript that can be edited. This is how I have produced two novels in roughly seventeen years.
LOBO: There seem to be two methods of getting published. The first, self-publishing, requires around $30,000 and necessitates doing all your own promotion. The second is the 'traditional' method -the one where you essentially "get discovered" by a publisher. Because I'm short about $29,995 for the self-publication route, I endlessly submit manuscripts to publishers that are returned weeks later scribbled with profanity and smelling suspiciously of urine. Do you know of any particularly stupid publishers I should try? Like maybe one that buys a lot of scratch-off lottery tickets and extended warrantees?
MAR: I think you've described the entire publishing industry quite accurately. Enjoy.
LOBO: You claim to be a teacher in Canada. This has put me in the uncomfortable position of acknowledging that Canada possibly does exist, despite my numerous assertions to the contrary. Why would you jeopardize my credibility -right smack on my own blog- when you could have simply claimed to live in North Montana? Extremely North Dakota would also have been acceptable.
MAR: I always thought that Minnesota was pretty much like Canada. How about if I'm from Minnesota?
Marvellous Hairy Reviews
LOBO: How did you get out of playing hockey? Did they give you an academic waiver? I would have thought knocking out one of Mario Lemieux's teeth to be a Canadian rite of passage. Do other Canadians pick on you as a result?
MAR: I got out of it the old-fashioned way -- I broke my arm the first time I played. Crying like a little girl helped too. BTW, Mario Lemieux has almost all of his teeth. Nowadays the goal in hockey (ice hockey for all your British readers) is not to knock out a player's teeth, but to cause the rapid brain movement of a player's brain inside his (or her) skull. Much more civilized. (Especially now that women's hockey is so big.)
LOBO: There you go with those parentheses again. I'm starting to think I should consider them a form of attack.
MAR: (You would be a fool to think so.)
LOBO: In Marvellous Hairy, there was a thinly-veiled streak of dislike toward the college where the story is set. Was this a reflection of personal frustration with your own institution, or more an articulation of how people justifiably hate school in general?
MAR: It was more a reflection of how people can dislike something in general. And you'll note that all of the friends are quite fond of their undergraduate school (The Good University).
LOBO: Once again I'll remind you not to correct me on my own blog, Mark. So at what point did you realize you hated kids enough to be a teacher? And would you call it a vacuous rage against today's youth, or is it simple sadism?
MAR: Um, I teach at a university, so I only deal with adults.
Marvellous Hairy Freaky Adult Sex Stories
LOBO: C'mon Mark ... don't mince about. Those punks deserve nothing less than every ounce of your venom. And once all six of the people in Canada get their degrees from you, you'll be of no further use to the university either: they will force you to hastily pack your abacus, chalk, and all those Twisted Sister pins you confiscated. Then what? POW ... it's straight back to hockey. And how do you think Mario Lemieux is going to react when you come wandering in to practice after all these decades? Not too favorably I would guess. No sir ... not too favorably at all. Unless you think you've still got a Stanley Cup in you.
MAR: I don't have one in me. But I've been IN it, if you catch my drift.
LOBO: I would imagine there aren't a lot of monkeys in Canada. Wouldn't your life be simpler if you wrote about companies changing people into cocker spaniels?
MAR: Well, I'll tell you now the radioactive baboon that bit me was a resident of Elgin County, Province of Ontario, Dominion of Canada. (I know 'cause the cop showed me the Incident Report afterwards.) In fact, most of Southwestern Ontario is plagued by roaming bands of baboons -- and not just the red-assed, blue-nosed, Perfidia variety you're used to, no. There is the Souwesto Skint Baboon, always asking for spare change at the corner of major intersections, the White-Throated Hypocraboon, commonly found in churches and you really don't want to leave your children unattended with them. And don't get me started on the Ice Baboons.
LOBO: You know I've read the Travels of Marco Polo, and you know how many times Marco mentions Canada in it? Zero. Zilch. You know, I don't think I'm buying this Canada thing anymore. Fess up, Mark.
MAR: I don't think he mentions the United States of America either. Just sayin'.
LOBO: We probably just didn't want Polo takin the spotlight off of the Godless Yellow Hoard. In fact, we might have asked Polo not to talk about us, you know, until we could at least get some cool fast food and electronics. What can we be expecting next? I know it isn't going to the swimming pool -not the way you trash-talk Marco Polo. Are you working on another book? Tease us with some details. I'm warning you however: if it's a story about a busload of nymphomaniac cheerleaders exacting revenge on an evil corporation for turning a praying mantis into a cocker spaniel, we will all know you stole it from me.
MAR: I'm working on two projects: One is the heartwarming story about how a cocker spaniel saves a busload of nymphomaniac cheerleaders from the predations of gigantic evil praying mantis, who happens to be the CEO of a major bio-tech corporation. The other is mostly about a busload of robots having sex with cheerleaders pretending to be cocker spaniels (The Furries, they're called in the book), though there is something in there about bloggers being executed for the capital crime of plagiarism.
[LOBO]
My devious plot to kill all the good authors so I can get a book deal has suffered a temporary setback: Mark A. Rayner, author of Marvellous Hairy, has been anything but forthright in regards to his actual location.
-Mislead by some rather sophisticated and formidable call-tracing countermeasures, I'm forced to conduct this interview from a payphone in Wyoming.
And let me tell you pal, getting into a phone booth in a ghillie suit made of almond tree branches is no picnic.
LOBO: Mark, you've obviously chosen to try and make monkeys, you know, cool again -like back when "BJ and the Bear" inspired millions and millions of truckers to take them cross-country. But iguanas are cool, and kinda scary too. A book about superintelligent iguanas would be groundbreaking, and a rare victory for cold-blooded animals. Why monkeys? An iguana is an infinitely more practical pet for truckers if you think about it.
MAR: Actually, Marvellous Hairy is about a surrealistic novelist being turned into a monkey-like creature; they regress just some of his DNA back along the evolutionary tree to the point before we split from the chimps; but if you must know the truth, it's because I think we don't keep in touch with our monkey playfulness enough. (Present company excluded. I mean, obviously, with the ghillie suit and all. You know you can get those in Gor-Tex now, with collapsible almond branches?)
LOBO: Don't correct me on my own blog, Mark. What was that fancy thing you just did there?
MAR: What?
LOBO: That thing where you are using the "(" and the ")".
MAR: They are called parentheses. You -of all people- should probably learn how to use them.
LOBO: You think I don't know about parentheses? I once killed a man using parentheses.
MAR: Really?
LOBO: Absolutely. I hated that guy. Watch. "I want the garbage taken out (and everybody dead in five minutes)."
MAR: In five minutes? What did they do?
LOBO: They didn't know about your book!
MAR: Oh, well that's okay then.
LOBO: Is it that you're an atheist Mark? Hm? I mean you could have changed the guy into a praying mantis instead of a monkey. Is it a problem that the mantis thing is always praying? A praying mantis won't rip off your genitalia and throw it at you. I mean you just don't GET more pious than a praying mantis.
MAR: What about Capuchin Monkeys? Eh? They're named after monks. Or the sanctimonious Kneeling Baboons of Rogistan? (Not that I like them very much. Did you know I was once bitten by a radioactive baboon? It's how I got my super-powers.)
LOBO: See, there you go with the parent-things again.
MAR: Parentheses?
LOBO: Forget it. Was the Shute character in Marvellous Hairy based on David Letterman?
MAR: Largely, though I wouldn't want anyone to think that Denny the Lickspittle is based on Paul Shaeffer. No way. I would never disrespect the coolest man on TV. Paul is Canadian, did you know that? Oh, that's right, you don't believe in Canada.
LOBO: Don't get me started on those old hokey legends of Canada. Do you think Canada exists?
MAR: Yes.
LOBO: But you're a teacher! Isn't that, well, kinda irresponsible?
MAR: Let' get back to the books.
LOBO: [exasperated sigh] One of my favorite elements of your writing is the meat of the stories hangs on a skeleton of philosophical poignence. Not to oversimplify, The Amadeus Net had the omnipotent and omniscient computer managing an idyllic utopia, and Marvellous Hairy had the specter of corporate power and greed gone to extreme. A common thread -humans struggling to morally catch up to their own rampant technological achievements- can often be spotted in your shorter works as published on The Skwib as well. Is this formulaic, or a happy byproduct of your writing style?
MAR: I wish I had a formula -- it would be so much easier. But to think that I struggle with each story, agonize over every character, groin myself every day to get the themes to flow with the plot and have it appear as formulaic . . . well, that just makes me want to slit my wrists. So, let's go with 'happy' byproduct.
LOBO: Having read both The Amadeus Net and Marvellous Hairy, they both have a vastly different "feel" from one another: The Amadeus Net seemed darkly serious while Marvellous Hairy seemed more playful. The fun you were having writing Marvellous Hairy was palpable. Would that be an accurate characterization? And if so, were there events between 2005 and 2008 that contributed to this shift?
MAR: Yes. That's quite accurate. Interestingly, you have to push the clock back about nine years for The Amadeus Net and seven years for Marvellous Hairy. I was primarily writing The Amadeus Net when I was an underemployed corporate drone in 1997, living in a small, yet charmingly feculent apartment, and working from notes that I had painted with a child's watercolour set the year I was being a Bohemian Gen-xer in Prague (1993). The first draft of Marvellous Hairy was written in three days in 2001, and was fueled almost entirely by scotch and raw existential anguish, and so, is hilarious.
LOBO: The Amadeus Net juxtaposes a sexually-taut cast of characters in a clinical, computerized world. Cripes ... everybody is sleeping with everybody! Can you just leave out the computers next time? The computers create too much space between the sex scenes.
MAR: In my next book, the computers get in on it too.
LOBO: Have you repented to your clergy for all the sex in The Amadeus Net yet? I tried to get my penance reduced by ratting you out about it, but the church was skeptical: rather than take my word for it, they ordered a case of the books to be distributed among the congregation for review. Now they are all blind, and their palms smell like Gillette. All of this could have been avoided with the simple use of a praying mantis. Are you an atheist Mark?
MAR: If you mean, do I believe in a "Magic Sky Father", then yes. If you mean, do you believe in a "Cosmic Unconscious Fun Monkey," then the answer is: maybe.
LOBO: Yeah, well, I'll try to put in a good word for you with Jesus. But I've got a feelin I know where He stands on the whole "Cosmic Unconscious Fun Monkey" thing.
MAR: Thanks.
LOBO: Why do my favorite characters always get killed in your stories? Are you doing that on purpose? And how do you know who my favorite characters are in the first place? Are you clairvoyant?
MAR: Yes. And by the way, don't get to attached to Suzie in my next book. Really, just save yourself the heartache. Oh, and you might want to get that mole checked.
LOBO: Thag is among my favorite of your characters. Was Thag based on someone or something in particular? And because I like him, how soon will you be killing him if you haven't already?
MAR: Thag is loosely based on the Gary Larson cartoon. Since then, he has become the proto-typical everyman. But he will not be taking the Big Dirt Nap anytime soon. Or will he? We will see how sales of Marvellous Hairy spike after this interview goes live to decide . . .
LOBO: While far from a professional author, I'll get something under my skin and scrawl it on the grocery receipt on my way home -more or less helpless against the urge. This annoys the other drivers, and their excessive use of the horn and graphic profanity makes it hard to concentrate. How does a Mark A. Rayner pour stories? Do you have a formal method -for example, a set time and space for writing?
MAR: I have a word count that I aim for every day. I usually miss it. This makes me feel bad. However, even if I am tortured by my under-achieving slacker Gen-X attitude towards work, the words eventually add up to something and then there is a manuscript that can be edited. This is how I have produced two novels in roughly seventeen years.
LOBO: There seem to be two methods of getting published. The first, self-publishing, requires around $30,000 and necessitates doing all your own promotion. The second is the 'traditional' method -the one where you essentially "get discovered" by a publisher. Because I'm short about $29,995 for the self-publication route, I endlessly submit manuscripts to publishers that are returned weeks later scribbled with profanity and smelling suspiciously of urine. Do you know of any particularly stupid publishers I should try? Like maybe one that buys a lot of scratch-off lottery tickets and extended warrantees?
MAR: I think you've described the entire publishing industry quite accurately. Enjoy.
LOBO: You claim to be a teacher in Canada. This has put me in the uncomfortable position of acknowledging that Canada possibly does exist, despite my numerous assertions to the contrary. Why would you jeopardize my credibility -right smack on my own blog- when you could have simply claimed to live in North Montana? Extremely North Dakota would also have been acceptable.
MAR: I always thought that Minnesota was pretty much like Canada. How about if I'm from Minnesota?
LOBO: How did you get out of playing hockey? Did they give you an academic waiver? I would have thought knocking out one of Mario Lemieux's teeth to be a Canadian rite of passage. Do other Canadians pick on you as a result?
MAR: I got out of it the old-fashioned way -- I broke my arm the first time I played. Crying like a little girl helped too. BTW, Mario Lemieux has almost all of his teeth. Nowadays the goal in hockey (ice hockey for all your British readers) is not to knock out a player's teeth, but to cause the rapid brain movement of a player's brain inside his (or her) skull. Much more civilized. (Especially now that women's hockey is so big.)
LOBO: There you go with those parentheses again. I'm starting to think I should consider them a form of attack.
MAR: (You would be a fool to think so.)
LOBO: In Marvellous Hairy, there was a thinly-veiled streak of dislike toward the college where the story is set. Was this a reflection of personal frustration with your own institution, or more an articulation of how people justifiably hate school in general?
MAR: It was more a reflection of how people can dislike something in general. And you'll note that all of the friends are quite fond of their undergraduate school (The Good University).
LOBO: Once again I'll remind you not to correct me on my own blog, Mark. So at what point did you realize you hated kids enough to be a teacher? And would you call it a vacuous rage against today's youth, or is it simple sadism?
MAR: Um, I teach at a university, so I only deal with adults.
LOBO: C'mon Mark ... don't mince about. Those punks deserve nothing less than every ounce of your venom. And once all six of the people in Canada get their degrees from you, you'll be of no further use to the university either: they will force you to hastily pack your abacus, chalk, and all those Twisted Sister pins you confiscated. Then what? POW ... it's straight back to hockey. And how do you think Mario Lemieux is going to react when you come wandering in to practice after all these decades? Not too favorably I would guess. No sir ... not too favorably at all. Unless you think you've still got a Stanley Cup in you.
MAR: I don't have one in me. But I've been IN it, if you catch my drift.
LOBO: I would imagine there aren't a lot of monkeys in Canada. Wouldn't your life be simpler if you wrote about companies changing people into cocker spaniels?
MAR: Well, I'll tell you now the radioactive baboon that bit me was a resident of Elgin County, Province of Ontario, Dominion of Canada. (I know 'cause the cop showed me the Incident Report afterwards.) In fact, most of Southwestern Ontario is plagued by roaming bands of baboons -- and not just the red-assed, blue-nosed, Perfidia variety you're used to, no. There is the Souwesto Skint Baboon, always asking for spare change at the corner of major intersections, the White-Throated Hypocraboon, commonly found in churches and you really don't want to leave your children unattended with them. And don't get me started on the Ice Baboons.
LOBO: You know I've read the Travels of Marco Polo, and you know how many times Marco mentions Canada in it? Zero. Zilch. You know, I don't think I'm buying this Canada thing anymore. Fess up, Mark.
MAR: I don't think he mentions the United States of America either. Just sayin'.
LOBO: We probably just didn't want Polo takin the spotlight off of the Godless Yellow Hoard. In fact, we might have asked Polo not to talk about us, you know, until we could at least get some cool fast food and electronics. What can we be expecting next? I know it isn't going to the swimming pool -not the way you trash-talk Marco Polo. Are you working on another book? Tease us with some details. I'm warning you however: if it's a story about a busload of nymphomaniac cheerleaders exacting revenge on an evil corporation for turning a praying mantis into a cocker spaniel, we will all know you stole it from me.
MAR: I'm working on two projects: One is the heartwarming story about how a cocker spaniel saves a busload of nymphomaniac cheerleaders from the predations of gigantic evil praying mantis, who happens to be the CEO of a major bio-tech corporation. The other is mostly about a busload of robots having sex with cheerleaders pretending to be cocker spaniels (The Furries, they're called in the book), though there is something in there about bloggers being executed for the capital crime of plagiarism.
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